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Arturia PolyBrute

Imagine using 6 analog voices to craft a sound that's powerful, raw, and entirely yours. Imagine a sound existing in two states simultaneously in a single preset, with seamless morphing between them. Imagine multi-axis performance controls offering next-generation musical expression. Imagine instant and limitless modulation at your fingertips. Imagine a polysynth made by musicians, for musicians.

Evolution of the Brute sound
Raw, powerful, organic. The analog Brute voice is an unmistakable sonic force to be reckoned with - how about six at once? PolyBrute's six-voice power starts with two Brute waveshaping oscillators. With sprawling timbral versatility from delicate airy pads to snarling stacked bass, these are six voices you can count on to excel in every application. The tactile and reactive nature of analog synthesis is right at the heart of PolyBrute's architecture. Tame or animate the oscillators with an expanded array of multiple filters, envelopes and LFOs for absolute control over the analog domain. Once you've harnessed its sound sources, PolyBrute is your vessel for an inspiring voyage into sound.

PolyBrute’s morphing abilities let you perform, compose, and explore sound without boundaries. Imagine being able to sweep all the parameter settings between two different patches all at once. PolyBrute goes even further with its groundbreaking ability to gradually morph between two completely different states within any patch. For morphing to work, hands-on control is essential - PolyBrutes takes it to another level. The all-new Morphée three-dimensional performance touchpad ensures that intricate morphing expression is always right at your fingertips. Manipulate any facet of PolyBrute’s sound, from delicate morphing to extreme dynamic shifts, across the X, Y and Z axis in an instant.

It doesn't end there; PolyBrute is armed to the teeth with articulate controllers to give your performances and compositions the elusive human touch.

Arturia PolyBrute

Analog Morphing Synthesizer
• 6 voices of Polyphony
• Mono, Unison, Poly voicing
• Single, Split, Layer modes

61-keys with Velocity and Aftertouch

Pitch Bend, Mod Wheel, Ribbon controllers

Morphée touch and pressure sensitive 3D controller

Sound Morphing capability, part A and B for each preset

Two Analog VCO's
• Saw
• Triangle + Metalizer
• Square + Pulse Width
• Sub
• Linear FM
• Hard Sync

Noise Generator

Osc and Noise Mixer with Filter routing

12dB/Oct Steiner Parker Filter
• Continuous LP>Notch>HP>BP morphing
• Cutoff, Resonance, Brute Factor

24dB/Oct Ladder Filter with Distortion

Three Envelopes
• Two ADSR
• Looping capability

Three LFOs
• LFO1 and LFO2 with waveform selection
• LFO3 with waveform shaping using Shape and Symmetry
• Rate control & Tempo Sync
• Various retrig options

Three stereo digital effects
• Modulation FX: Chorus, Phaser, Flanger, Ring Modulation,
• Delay: 9 algorithms including BBD, Digital delay, ...
• Reverb: 9 algorithms including Hall, Plate, Spring, Shimmer, ...

768 preset slots

12x32 Modulation Matrix

64 step polyphonic sequencer
• Notes, Accent, Slide per step
• 3 tracks of automation

Arpeggiator and Matrix Arpeggiator

Stereo audio output

MIDI and USB i/o + analog clock i/o

2 expression and 1 sustain pedal inputs

Arturia PolyBrute


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