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99,-
99,-
M-Audio Midisport 4x4 Anniv…
In commemoration of M-Audio’s 20th anniversary, the Midiman MIDISPORT 4x4 Anniversary Edition gives the popular multi-port USB MIDI interface an updated new look. MIDISPORT 4x4 Anniversary Edition addresses a total of 64 x 64 discrete channels of MIDI I/O via USB, allowing you to simultaneously connect a variety of MIDI devices. Bus-powered architecture provides the option of totally mobile operation.
89,-
89,-
Icon IStage Black
The ICON iStage Midi Controller is a highly adaptable piece of kit. there are a total of 48 dual use matrix control / velocity sensitive drum pads with dual colour LED backlights in 3 4x4 groups providing you with a huge array of configuration options. 17 further assignable buttons are provided for DAW control functions. For ease of use, the ICON iStage has 4 different operation modes; DJ mode, Effector Mode (for controlling FX parameters), DAW Mode and Drummer Mode. The compact design of the iStage means it sits perfectly in front of your macbook making it the ideal mobile music making companion. A Jog Wheel lets you zip quickly through projects or can be assigned to a function of your choice. With so many options available to you, the iStage and a laptop is all you need to create great music, either for live on-stage performance or for editing, you can now carry a whole studio in your backpack.
489,-
489,-
KRK RP10 3 Rokit
Most professional and commercial facilities offer clients a broad choice of Studio monitors, from Near- to Mid, or even Main field systems so that they can test their mixes across several environments from cars to clubs. In the private, project and home studio environment one monitoring system might have to do it all: the ability to generate huge sound pressure levels when the music and clients demand it, yet maintain the clarity and transparency of a professional studio monitor. Having this level of capability and flexibility at a cost effective price hasn't been available in a single system. Price per piece.
269,-
269,-
Mackie Big Knob
This is something that sits right on your desktop, letting you easily switch between sets of studio monitors and different stereo sources. And send musicians custom headphone mixes while you communicate with them via a built-in Talkback microphone. The Big Knob is a simple yet powerful desktop audio control center that lets musicians and engineers get right to the business of making music in four major ways: Level Control, Studio Monitor Selection, Input Source Selection and Talkback & Headphone Control.
60,-
60,-
Marshall Minor Black
The Minor is an advanced and hard working in-ear model. In addition to its good looks it incorporates quite a few exciting features. EarClick is a patent that ingeniously secures the earphone into position in your ear. The Minor comes equipped with microphone and remote for use with your cell phone. Combined with excellent audio and a tangle resistant fabric cord the Minor is in it for the long haul.
79,-
79,-
600,-
600,-
Electro Voice RE20
The RE20 Variable-D® dynamic cardioid microphone is truly an industry standard, a firm favorite among broadcasters and sound engineers worldwide. Its popularity also extends into music production as a premium grade instrument microphone. Its Variable-D® design and heavy-duty internal P-pop filter reduce proximity effect, while an internal element shock-mount reduces vibration-induced noise.
1879,-
1879,-
119,-
119,-
Behringer B1030A
High-Resolution, Active 2-Way Reference Studio Monitor with 5.25" Kevlar Woofer. When it comes to your studio recordings, you want honesty. In fact, considering how important your art is, you should demand it! That’s why we designed the new B1030A Reference Monitors to speak nothing but the TRUTH. Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind — where every note you play or sing is “under the microscope.” Price per piece.
309,-
309,-
Behringer B1031A Set
High-Resolution, Active 2-Way Reference Studio Monitor with 8" Kevlar Woofer. When it comes to your studio recordings, you want honesty. In fact, considering how important your art is, you should demand it! That’s why we designed the new B1031A Reference Monitors to speak nothing but the TRUTH. Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind — where every note you play or sing is “under the microscope.” Price per set.
149,-
149,-
26,-
26,-
Behringer CT100 Cable Tester
Make sure every cable in your arsenal is in good working order with the invaluable BEHRINGER Cable Tester CT100. This incredibly portable audio solution is a must-have for sound engineers and musicians alike. The CT100 accepts every type of cable you might use in a recording or live performance situation: XLR, mono and TRS phone (1/4", 1/8", TT), RCA and even MIDI. Choose from three modes: cable test mode, installed CABLE TESTER mode and TONE mode. The CT100 can check for continuity, intermittency, phantom power presence and grounded shields. Because this handy tool runs on two AA batteries, you can carry it in your pocket and be ready to troubleshoot at a moment's notice.
119,-
119,-
Behringer RX1602 Eurorack P…
Professional Multi-Purpose 16-Input Ultra-Low Noise Line Mixer. The RX1602 is an incredibly versatile 16-channel line mixer that works perfectly for monitoring multi-track recording projects, submixing multiple keyboards, sub-mixing samplers or mixing a small live set-up (for example, one keyboard and one microphone preamp). Its simple interface and intuitive features make it an invaluable addition to any recording enthusiast’s or live performer’s gear arsenal.
35,-
35,-
33,-
33,-
Behringer XM1800S Ultravoic…
3 Dynamic Cardioid Vocal and Instrument Microphones (Set of 3). Few things are more essential to recording or live performance than dynamic microphones. Ask any sound engineer and they will tell you to keep as many as possible on hand. BEHRINGER has bundled three great-sounding dynamic microphones into one impact-resistant case, with stand adapters and mic clips so you'll be ready to capture your sound in brilliant resolution.
22,-
22,-
Behringer XM8500 Ultravoice
Dynamic Cardioid Vocal Microphone. Few things are more essential to recording or live performance than dynamic microphones. BEHRINGER's XM8500 has the crucial features and durability to come through for your sound again and again.
333,-
333,-
Propellerhead Reason 6
REASON 6 is a complete new version en successor the successful Reason 5 and now with RECORD (The Propellerhead Audio Recording application) fully integrated with a load of new features in one music recording and production software package. The new REASON 6 contains Audio-recording, Mixing, Equalizing and all Instruments, Sounds, Effects you always dreamed of. REASON is build around a virtual 19" studio-rack full of instruments and effects you can change and tweak to your own desires and is patched automatically - of course including professional Sequencer and a super professional mixing console for all your audio and midi recordings and smart editing features.
105,-
105,-
Propellerhead Reason Essent…
REASON ESSENTIALS is the new entry-level 'basic-version' REASON and RECORD now fully integrated. REASON ESSENTIALS contains all basic MIDI and AUDIO Recording, Editing, Effects, Instruments, Mix and Mastering Tools you'll need to make good recordings. Including a large selection of Instruments and Effects in a virtual-rack that builds it-self or can be tweaked to your own desire with more drum-machines, loop players, samplers, synths, reverbs, delays, distortion and more. REASON ESSENTIALS has everything you need to make good recordings fast and easy. Including Sequencer and a basic Mixing Console with EQ and is Windows and MAC OSX compatible.
49,-
49,-
129,-
129,-
M-Audio AV40 Studiophile
If you want to go beyond enjoying music and videos to creating your own, you need a serious speaker system with accurate sound. M-Audio® studio speakers are music industry bestsellers*—and now AV 40s bring this professional legacy to your home. Unlike plastic multimedia speakers, AV 40s use technology that’s trusted by top musicians, engineers, and composers: premium woofer and tweeter components for rich lows and crystal highs; wave guides for clarity and detail; and wooden cabinets for tight, punchy sound. They’re perfect for creating all kinds of media—and also let you get the most out of your CDs, MP3s, DVDs, and games. Specifications: 4" Polypropylene-coated woofers, 3/4" ferrofluid-cooled silk dome tweeters, OptImage III tweeter wave guides, 20-Watt-per-Channel amplifier with Class A/B architecture and magnetic shielding.
439,-
439,-
Roland R-26 Field Recorder
Hand-held field recorders have been hot commodities for musicians, recording engineers, and sound designers for years. Today, the mercury rises in this dynamic market with the debut of the game-changing R-26. This innovative recorder is portable yet loaded with first-class, professional features, the likes of which the industry has not seen before. There are two types of stereo microphones built into the R-26, plus a pair of XLR/TRS combo inputs for external mics, and an input for a stereo plug-in powered mic. Choose simultaneous combinations of the built-in mics (directional and omnidirectional), as well as the external inputs. Capture live performances with simultaneous line and ambient signal paths, record important speeches, lectures, and presentations, or take the R-26 into the inner city or deep forest for pristine field capture. The sky’s the limit with this powerful, portable, and incredibly flexible recorder.
68,-
68,-
Line 6 Mobile In
Connect your guitar to your iPhone or iPad and get 64 models of classic amps and effects, an exceptional digital input and all the tone your hands can handle! It's impossible to talk about modeling without talking about POD® multi-effect. A decade ago, the original fire-engine-red, kidney-bean-shaped processor hit the scene and forever revolutionized how guitarists perform and record. Today, countless guitarists rely on POD devices in their studio racks, in their live rigs and now in their Apple® iPhone® and iPad® devices. Join the loyal legion of POD device players who have found their tone (and plenty of others) inside POD. The Mobile In digital input adaptor features pro-quality audio specs for guitar tones that are exceptionally rich and clear. It supports up to 24-bit/48 kHz digital audio and its guitar input features 110 dB dynamic range. Use Mobile In with your other CoreAudio guitar apps and hear how much better they sound!
219,-
219,-
Tascam DR40
The adjustable mics, four-track recording and extended battery life of the TASCAM DR-40 give you the flexibility you need to record tracks anywhere. The DR-40 captures up to four tracks from built-in, high-quality condenser microphones, XLR mic or line inputs. The internal mics are adjustable from XY to AB position, helping you to tailor your recording to the sound of the room. A pair of great-sounding TASCAM microphone preamps welcome condenser microphones with phantom power, recording at up to 96kHz/24-bit resolution. It accommodates balanced XLR or 1/4" line inputs using locking Neutrik Combo jacks. The DR-40 accepts SD or SDHC cards up to 32GB, and a 2GB card is included. Once recorded, play back your takes with EQ and the optional Level Align feature to avoid volume jumps. A stereo reverb effect is also built-in, as well as a speaker and chromatic tuner. Transfer recordings to computer using the USB 2.0 jack. Other features include overdub mode, variable speed playback, limiting and low cut filter, and much more – all with TASCAM’s simple-to-use interface. No other recorder makes home or live recording as simple as the TASCAM DR-40.
175,-
175,-
Studio Projects LSM Little…
How handy is this? The LSM (aka Little Square Mic) makes it easy to record to your computer. There's no need for a tangle of cables or a bunch of outboard gear. Just plug the LSM right into your Mac or PC via USB, and you're ready to start recording. And since the LSM features a large-diaphragm condenser capsule, you can still get "big studio" sound, while saving time in the process. But what makes the Studio Projects LSM extra special, though, is that it features a mini-XLR output connector in addition to its mini-USB output. That way, you can use your LSM as a regular recording microphone by plugging it straight into your favorite audio interface or gear (with a special cable). That gives you the best of the digital and analog worlds! If you've been thinking about getting a USB microphone, but you don't want to trap yourself into USB-only recording, the Studio Projects LSM is the perfect pick! It's available in a variety of colors, so you can record with style.
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Genelec 7050BPM Active Subwoofer
The new Genelec 7050B LSE™ subwoofer provides perfect partner to the 8020A for both stereo and surround sound applications. The 7050B extends the LF response down to 25 Hz with amazing bass articulation. This is made possible in such a compact enclosure thanks to Genelec's patented Laminar Spiral Enclosure (LSE™) technology. With 5 main input channels and an LFE channel with 85/120 Hz reproduction bandwidth selection, the 8020A/7050B system fulfills the needs of 5.1 productions. You can also use the 7050B to complement the 8030A monitor.
The 7050B is designed to complement Genelec's 8020A active monitors in stereo and surround applications, and the 8030A in stereo only setup. The subwoofer features a single 8" (205mm) proprietary driver with a 70 Watt power amplifier. It has a frequency response from 25 Hz - 85 Hz (± 3dB), and the ability to deliver short term sine wave of 100 dB SPL in half space at 1 metre. Like all Genelec LSE™ active subwoofers, the 7050B also features extremely low distortion.
Genelec 8020CPM
The small Genelec 8020C has been designed for monitoring in difficult listening environments, particularly those compromised by lack of space. However, size is no handicap to performance as the 8020C two-way active monitoring system incorporates Genelec's acoustic design innovations to minimise all forms of distortion. Our Intelligent Signal Sensing (ISS) feature, reduces power consumption to less than 0.5 watts by automatically switching the active monitor to standby, when no audio signal has been detected for some time. When it receives an audio signal again, the loudspeaker turns back on. ISS is fully compliant with the latest EU requirements and the ErP 2013 Directive for electronic devices.
Each monitor features a 105 mm (4 inch) bass driver along with a 19 mm (3/4 inch) tweeter loaded into a new advanced Genelec Directivity Controlled Waveguide (DCW™). The free field frequency response is 66 Hz to 20 kHz (± 2.5 dB). Maximum peak SPL output per pair with music material is 105 dB at 1 m. Bass and treble are each powered by 20 watt amplifiers.
8020C can be combined with the 7050B Laminar Spiral Enclosure (LSE™) subwoofer to provide a powerful, bass-managed and wide bandwidth surround sound monitoring system. The 8020C has a die-cast aluminium Minimum Diffraction Enclosure (MDE™), which features relatively large internal volumes; softly curved edges and outstanding mechanical strength.
As a result, the imaging accuracy and low frequency extension with such a compact enclosure are truly astounding. The 8020C also incorporates the advanced Directivity Control Waveguide (DCW™), which provides an amazingly smooth on and off axis response; while the long, curved reflex port ends in a wide flare for excellent bass articulation.
Focusrite Scarlett 18i8
The new Focusrite Scarlett 18i8 18-in/8-out audio interface further extends the popular Scarlett range of USB 2.0 interfaces from Focusrite, each of which offers a series of high quality inputs and outputs for multiple recording requirements. With four Focusrite mic pres, Scarlett 18i8 is designed for producers and recording artists or bands who require the ability to record a significant number of sources at the same time including multiple mics/instruments, with ADAT expansion capability enabling it to handle larger recording requirements. Scarlett 18i8 works on Mac, PC and iPad (or any iOS device).Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite’s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs – all four on the front panel with pads and 48v phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic pres like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue I/O have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of DAW and recording applications on Windows®, Mac® and now iOS® recording apps.
Focusrite Scarlett 6i6
The Focusrite Scarlett 6i6 is a 6 in / 6 out audio interface that connects to your PC, Mac or iPad via USB 2.0. It has two award-winning Focusrite microphone preamplifiers, which deliver superb quality recordings from microphones and instruments, straight into your computer or iPad (or any iOS device).Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.Scarlett 6i6 is perfect for producers, recording artists or small bands. Featuring two award-winning Focusrite mic preamps and a stereo line input, 6i6 is great for recording vocals, guitar and a stage piano simultaneously. With the four balanced outputs, connect up to two sets of stereo monitors, and use the S/PDIF I/O for connecting digital sources. There are also two built-in headphone outputs with separate volume controls so multiple recording artists can listen to the mixes they need to get the best take. The inputs and outputs feature precision 24 bit A-D, D-A conversion at up to 96KHz in order to get the most accurate signal possible into and out of your computer.The outer case is a tough aluminium extrusion, which protects the components inside. There is a large main monitor control knob as well as two dedicated gain knobs for each mic input, each with two colour ‘gain halos’ which light up green to indicate that sound is detected, and red if the level is too high. Both mic inputs can be switched between instrument, line and microphone, and a pad can switched-in to cope with high-level inputs. Each analogue input and output has its own dedicated socket.Scarlett 6i6 works with Mac, PC and iPad (using an Apple camera Connection Kit - available separately from Apple). It comes with a bundle of included software. Scarlett MixControl is a software control panel for routing the inputs and outputs, and accessing additional features on the hardware. It also comes with Ableton Live Lite: revolutionary production and performance software that can be used to record and playback audio in a totally unique way. The Scarlett Plug-in Suite is also included, supplying EQ, compression and reverb to professionalise your mixes. It also comes with the Novation bass station soft-synth and a Loopmasters sample pack.
Neumann TLM49 Studio Set
The TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension. The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The “sound design” is also oriented toward that of the M 49 and the U 47. By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.
During the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.
The large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm. The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.
The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB. The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound.
The letters TLM stand for “transformerless microphone”. With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 129 dB without distortion, and provides a dynamic range of 117 dB (A-weighted).
The entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount. Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microphone to provide protection against plosive sounds.
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