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139,-
139,-
Blue Yeti
The Yeti is the most advanced and versatile multi-pattern USB microphone available anywhere. Combining three capsules and four different pattern settings, the Yeti is the ultimate tool for creating amazing recordings, directly to your computer. THX Certified for exceptional sound and performance, the Yeti can capture anything with a clarity & ease unheard of in a USB microphone. The Yeti features Blue's innovative triple capsule array, allowing for recording in stereo or your choice of three unique patterns, including cardioid, omnidirectional, and bidirectional, giving you recording capabilities usually requiring multiple microphones.
549,-
549,-
Neumann TLM102 Nickel
The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 is impressive in terms of sound and the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources.
549,-
549,-
RME Babyface Limited Editio…
Special Silver version of this popular preamp! Get your hand on one of these limited edition gems, before you miss out on them! Equipped with the latest 192 kHz AD- and DA-converters and two reference class microphone preamps the bus-powered Babyface delivers top sound in a nicely designed and attractively shaped enclosure. The Babyface uses the USB 2.0 high-speed bus and has been uncompromisingly optimized for highest performance under Windows and Mac OS. The Babyface combines excellent analog circuit design with AD/DA converter chips of the latest generation. On top RME's famous SteadyClock ensures an AD- and DA-conversion of the highest reference quality. Both digitally controlled preamps provide individually switchable 48V phantom power. The extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Babyface.
549,-
549,-
RME Babyface Blue
Equipped with the latest 192 kHz AD- and DA-converters and two reference class microphone preamps the bus-powered Babyface delivers top sound in a nicely designed and attractively shaped enclosure. The Babyface uses the USB 2.0 high-speed bus and has been uncompromisingly optimized for highest performance under Windows and Mac OS. The Babyface combines excellent analog circuit design with AD/DA converter chips of the latest generation. On top RME's famous SteadyClock ensures an AD- and DA-conversion of the highest reference quality. Both digitally controlled preamps provide individually switchable 48V phantom power. The extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Babyface.
579,-
579,-
Rode K2
The RØDE K2 is the result of designing and building 1000's of valve microphones. The K2's HF-1 capsule is the pinnacle of transducer technology. The sound quality combines modern high-end specifications with the character and subtleties of the legendary 50's mics. Infinitely variable control of the K2's polar patterns provides the freedom and flexibility to excel in any recording situation. The K2 is another example of RØDE's commitment to building quality studio microphones to meet the exacting standards demanded by today's professionals.
585,-
585,-
Avalon U5
The U5 high-voltage DI-preamp combines a unique passive tone selector with a variable gain preamp and filter. The high input impedance accepts a wide variety of signal levels and instruments from acoustic guitars to high-output active bass guitars and keyboards. The U5 direct box is loaded with sonic character and user features professionals demand.
557,-
557,-
AKG Perception 820 Tube
The brand-new Perception 820 Tube delivers real tube sound quality. It is not only the new flagship model of the Perception Series but also raises the bar in its class of affordable tube microphones. In contrast to many other affordable tube microphones, the Perception 820 Tube delivers real tube sound quality thanks to the dual one-inch large diaphragm capsule and the sophisticated ECC 83 dual-triode circuitry. The elegant remote control unit allows selection of 9 different pickup patterns and controls the switchable bass-cut filter and the attenuation pad. Moreover, a ground lift switch prevents unwanted hum if necessary. It comes complete with a spider-type shock mount and a metal carrying case. AKG’s industry–leading Perception Series of condenser microphones are recognized for their outstanding quality and versatile capabilities at an affordable price. The Perception 820 Tube raises the bar in its class – It shows real tube sound, the highest dynamic range, the most comprehensive features and comes complete with useful accessories at an unbeatable price.
145,-
145,-
Beyerdynamic DT770 Pro 250…
The DT 770’s closed diffuse-field system allows the user to exclude ambient sounds while still experiencing an open spatial feel- important for professionals who require a full bass sound as well as clinically accurate high and mid-range reproduction. 250 Ohms.
244,-
244,-
AKG Perception 420
Perception 420 is a multi-pattern large-diaphragm condenser microphone for more demanding professional studio recording applications. Offering high sensitivity and 155 dB maximum SPL, the Perception 420 delivers a warm transparent sound quality ideally suited for ensemble recording, grand piano, woodwind and brass instruments as well as drums and percussion instruments. In addition, three selectable polar patterns – cardioid, omnidirectional or figure-eight – allow a wide range of stereo miking techniques and ambient recording.
959,-
959,-
AKG C414 XLS
The C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model. Engineered for highest linearity and neutral sound, it is the most universal and versatile large diaphragm microphone for decades. Widely used for accurate, beautifully detailed pickup of any acoustic instrument the new C 414 XLS combines proven reference quality, leading-edge technology and state-of-the-art components. The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.
990,-
990,-
AKG C414 XLII
The new models C 414 XLS and C 414 XLII offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks. The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.
79,-
79,-
499,-
499,-
Cakewalk Sonar X2 Producer
From getting great tone to releasing a final mix, today’s musicians must master every element of the music production process. SONAR X2 is there every step of the way, and the revolutionary Skylight interface lets you move seamlessly among the elements, instantly going from recording to editing to mixing and back again. Dial up the perfect synth sound with Rapture or a searing guitar tone with TH2 Producer. Record it, tighten it, chop it, and drop it in the Matrix for realtime triggering. Shape it with the ProChannel. Warm it with the Console Emulator. And do it all with a single Smart Tool. It’s genius. Features: Unlimited audio and MIDI tracks. Enhanced award winning Skylight interface. Seamless usability and workflow. R-MIX SONAR. Modular ProChannel. BREVERB SONAR and BREVERB SONAR ProChannel module. ProChannel Console Emulation Module. QuadCurve and Softube Saturation Knob ProChannel Modules. FX Chains 2.0 plus FX Chains ProChannel Modules. 20 Virtual instruments including Rapture subtractive synthesizer. Matrix performance view. Integrated per track arpeggiator. TH2 Producer Guitar Processor. Linear Phase accurate Mastering EQ and Multi-Band compressor. Automation and Take Lanes. Flexible export and Delivery options including MusicXML and SoundCloud. Pristine 64-bit/384KHz audio engine. Includes all features in SONAR X2 Studio. Native 32/64-bit application.
977,-
977,-
Tascam DR680
TASCAM's DR680 brings multi-channel portable recording within reach of any musician for polished live, location and surround recordings. Up to eight tracks can be recorded to solid-state SD card media at 96kHz/24-bit Broadcast WAV quality. Six mic inputs provide phantom power and 60dB of gain for great-sounding recordings with your condenser microphones. Record the six microphones along with a digital S/PDIF source for 8 track recording. Each mic input has a selectable low cut filter and analog limiter for optimal sound.
58,-
58,-
Auralex Subdude
The Auralex SubDude is a 15" x 15" x 2.5" platform wrapped with ozite to fit any room setting. Its purpose is to prevent sound from transmitting through your subwoofer to surrounding surfaces. Subwoofers create big vibrations (low frequencies) that you can feel in the floor and in objects placed nearby. When the source of the vibrations is coupled directly to the floor it causes these objects to vibrate or resonate – not only at the fundamental pitch the source is creating but also at harmonic frequencies that discolor the true sound from the source. Now you have two (or more) objects vibrating, which creates an acoustical problem called “secondary resonance”.
552,-
552,-
Shure KSM9 Charcoal Black
The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. Engineered to exacting standards, the KSM9 reveals nuance and subtlety in a microphone optimized for the most demanding live environments. With its dual diaphragm design and switchable polar patterns (supercardioid and cardioid), the KSM9 is the choice for the world's most accomplished vocal performances.
498,-
498,-
Tascam US2000
TASCAM's premiere multi-channel interface is the US-2000, a 16 in/4 out USB interface that fits in only one rackspace. The US-2000 has eight XLR mic inputs with phantom power, enough to record a large band or drumset. An additional six balanced 1/4" line inputs are provided for synths, amp modelers and effects processors. Stereo S/PDIF digital inputs and outputs bring the total to 16 inputs that can be recorded simultaneously.
659,-
659,-
MyMix Audio MyMix Networked…
myMix is the ultimate device for capturing ideas at rehearsal, archiving the gig at the local club, or even tracking your next album. Up to 18 tracks of 24bit, 48kHz time-stamped .wav audio files can be recorded to optional micro SD, standard SD or SDHC cards. The moment you hit the REC button a new session folder is created and each signal is recorded directly from the preamp to an individual track without processing. An additional stereo track of your processed mix is also recorded to provide a quick reference.
322,-
322,-
KRK VXT4SE Special Edition…
Drawing upon the design characteristics of our Expose E8B, the new VXT Series of monitors consists of three models, the VXT4, VXT6, and VXT8. With a visually striking enclosure design that is equally functional, providing low resonance, improved structural integrity and extended low-end, slotted ports for reduced port turbulence, plus a sleek curvature that provides excellent imaging characteristics and a widersweet spot the VXT monitors achieve a new level of precision. Price per piece.
RME Fireface 400
RMEs Fireface 800 revolutionized the world of FireWire audio interfaces. Now the revolution continues: The Fireface 400 is not just the little brother of the Fireface 800 it is a completely newly designed device. It is the only device in its class with active jitter suppression, stand-alone functionality, complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-Channel matrix router - at sample rates up to 192 kHz.
319,-
319,-
Behringer B3030A Set
When it comes to your studio recordings, you want honesty. In fact, considering how important your art is, you should demand it! That’s why we designed the new B3030A and B3031A Reference Monitors to speak nothing but the TRUTH. Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind — where every note you play or sing is "under the microscope."
187,-
187,-
Arturia The ONE
The ONE is a simple, new way to discover Arturia Products. The ONE is a DVD containing 8 of our software products and their manuals. Install 8 of our best virtual products (Analog Factory 2.5, Minimoog V Moog Modular V ARP2600V CS-80V Prophet V Jupiter-8V Brass 2) and use them with no function limitations for 15 days. Once you've tried them all out you pick The ONE you want to activate.
1399,-
1399,-
Event Opal
The Opal series monitors are a long awaited feat that combines numerous patented technologies that the people at Event have been meticulously designing and developing for years. The Opal Monitors boast a world class 2-way driver design and the EX8 driver uses a high-power neodymium motor with a 30Hz-10kHz response that blows away the competition. Incorporating their own ULD tweeter with rotatable wave guide mixes beryllium with the neodymium motor pushing powerful, high SPL sound minus the distortion that would occur in an inferior tweeter. The next level of monitoring, brought to you by Event. Price per piece.
195,-
195,-
AKG C3000B V2
Since its introduction in 1993 our C 3000 has become a standard for a wide range of both studio and onstage applications. The new redesigned C 3000 is a cost-effective and aesthetically pleasing product update which maintains the popular characteristics of the C 3000, however a new sleek and classy finish showcases AKG’s new Corporate Design. It is a great selection for both recording and live sound applications, where maximum sound quality and robustness are a must, and the competitive price makes the C 3000 a must-have. Comes with H85 Universal Shockmount.
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Genelec 7050BPM Active Subwoofer
The new Genelec 7050B LSE™ subwoofer provides perfect partner to the 8020A for both stereo and surround sound applications. The 7050B extends the LF response down to 25 Hz with amazing bass articulation. This is made possible in such a compact enclosure thanks to Genelec's patented Laminar Spiral Enclosure (LSE™) technology. With 5 main input channels and an LFE channel with 85/120 Hz reproduction bandwidth selection, the 8020A/7050B system fulfills the needs of 5.1 productions. You can also use the 7050B to complement the 8030A monitor.
The 7050B is designed to complement Genelec's 8020A active monitors in stereo and surround applications, and the 8030A in stereo only setup. The subwoofer features a single 8" (205mm) proprietary driver with a 70 Watt power amplifier. It has a frequency response from 25 Hz - 85 Hz (± 3dB), and the ability to deliver short term sine wave of 100 dB SPL in half space at 1 metre. Like all Genelec LSE™ active subwoofers, the 7050B also features extremely low distortion.
Genelec 8020CPM
The small Genelec 8020C has been designed for monitoring in difficult listening environments, particularly those compromised by lack of space. However, size is no handicap to performance as the 8020C two-way active monitoring system incorporates Genelec's acoustic design innovations to minimise all forms of distortion. Our Intelligent Signal Sensing (ISS) feature, reduces power consumption to less than 0.5 watts by automatically switching the active monitor to standby, when no audio signal has been detected for some time. When it receives an audio signal again, the loudspeaker turns back on. ISS is fully compliant with the latest EU requirements and the ErP 2013 Directive for electronic devices.
Each monitor features a 105 mm (4 inch) bass driver along with a 19 mm (3/4 inch) tweeter loaded into a new advanced Genelec Directivity Controlled Waveguide (DCW™). The free field frequency response is 66 Hz to 20 kHz (± 2.5 dB). Maximum peak SPL output per pair with music material is 105 dB at 1 m. Bass and treble are each powered by 20 watt amplifiers.
8020C can be combined with the 7050B Laminar Spiral Enclosure (LSE™) subwoofer to provide a powerful, bass-managed and wide bandwidth surround sound monitoring system. The 8020C has a die-cast aluminium Minimum Diffraction Enclosure (MDE™), which features relatively large internal volumes; softly curved edges and outstanding mechanical strength.
As a result, the imaging accuracy and low frequency extension with such a compact enclosure are truly astounding. The 8020C also incorporates the advanced Directivity Control Waveguide (DCW™), which provides an amazingly smooth on and off axis response; while the long, curved reflex port ends in a wide flare for excellent bass articulation.
Focusrite Scarlett 18i8
The new Focusrite Scarlett 18i8 18-in/8-out audio interface further extends the popular Scarlett range of USB 2.0 interfaces from Focusrite, each of which offers a series of high quality inputs and outputs for multiple recording requirements. With four Focusrite mic pres, Scarlett 18i8 is designed for producers and recording artists or bands who require the ability to record a significant number of sources at the same time including multiple mics/instruments, with ADAT expansion capability enabling it to handle larger recording requirements. Scarlett 18i8 works on Mac, PC and iPad (or any iOS device).Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.At the heart of 18i8 is a set of four Focusrite mic preamps with up to 60dB gain, designed specifically for Focusrite’s computer audio interfaces. The first two offer Mic/Line/Instrument on universal XLR/TRS connectors while 3 and 4 offer Mic/Line capability on universal XLRs – all four on the front panel with pads and 48v phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic pres like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.On the output side, there are two TRS monitor outputs, stereo S/PDIF coax, and two independent stereo headphone outputs, each with their own volume knob so artist and engineer can control their own personal monitoring. All analogue I/O have their own connectors, so no breakout cables are required, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of DAW and recording applications on Windows®, Mac® and now iOS® recording apps.
Focusrite Scarlett 6i6
The Focusrite Scarlett 6i6 is a 6 in / 6 out audio interface that connects to your PC, Mac or iPad via USB 2.0. It has two award-winning Focusrite microphone preamplifiers, which deliver superb quality recordings from microphones and instruments, straight into your computer or iPad (or any iOS device).Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.Scarlett 6i6 is perfect for producers, recording artists or small bands. Featuring two award-winning Focusrite mic preamps and a stereo line input, 6i6 is great for recording vocals, guitar and a stage piano simultaneously. With the four balanced outputs, connect up to two sets of stereo monitors, and use the S/PDIF I/O for connecting digital sources. There are also two built-in headphone outputs with separate volume controls so multiple recording artists can listen to the mixes they need to get the best take. The inputs and outputs feature precision 24 bit A-D, D-A conversion at up to 96KHz in order to get the most accurate signal possible into and out of your computer.The outer case is a tough aluminium extrusion, which protects the components inside. There is a large main monitor control knob as well as two dedicated gain knobs for each mic input, each with two colour ‘gain halos’ which light up green to indicate that sound is detected, and red if the level is too high. Both mic inputs can be switched between instrument, line and microphone, and a pad can switched-in to cope with high-level inputs. Each analogue input and output has its own dedicated socket.Scarlett 6i6 works with Mac, PC and iPad (using an Apple camera Connection Kit - available separately from Apple). It comes with a bundle of included software. Scarlett MixControl is a software control panel for routing the inputs and outputs, and accessing additional features on the hardware. It also comes with Ableton Live Lite: revolutionary production and performance software that can be used to record and playback audio in a totally unique way. The Scarlett Plug-in Suite is also included, supplying EQ, compression and reverb to professionalise your mixes. It also comes with the Novation bass station soft-synth and a Loopmasters sample pack.
Neumann TLM49 Studio Set
The TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension. The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The “sound design” is also oriented toward that of the M 49 and the U 47. By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.
During the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.
The large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm. The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.
The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB. The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound.
The letters TLM stand for “transformerless microphone”. With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 129 dB without distortion, and provides a dynamic range of 117 dB (A-weighted).
The entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount. Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microphone to provide protection against plosive sounds.
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