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Dunlop FFM2 Fuzz Face Mini Germanium
The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: true bypass switching, a bright status LED, an AC power jack and a convenient battery door. The FFM2 Germanium Fuzz Face Mini is based on ’66-’68 era pre-silicon Fuzz Faces famous for warm vintage fuzz tones provided by slightly mismatched germanium transistors.
Dunlop FFM3 Fuzz Face Mini Hendrix
The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: true bypass switching, a bright status LED, an AC power jack and a convenient battery door. The FFM3 Jimi Hendrix Fuzz Face Mini has the exact same circuit as the JHF1 in smaller housing, delivering the thick, smooth Fuzz Face tone that Jimi Hendrix made famous in a pedalboard-friendly size.
Dunlop DVP3 Volume X
Create incredibly smooth volume swells or control your effect pedal parameters with the Dunlop DVP3 Volume X. Small and pedalboard-friendly, the DVP3 is solidly-built and ready for the road. It’s housed in an aluminum chassis with aggressive non-slip tread and comes equipped with our patent-pending Band Drive for a smooth range of motion without the fear of breakage or change in feel or range. For maximum comfort and precision, the DVP3’s rocker tension is fully adjustable.
When using the DVP3 as an expression pedal, you can use the internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP3 has an internal switch that allows you to do so.
Along with Volume, FX and Output jacks, the DVP3 also features a convenient Tuner output for silent tuning onstage.
Dunlop JH2 Jimi Hendrix 70th Anniversary Crybaby
Released in August of ’67, “Burning of the Midnight Lamp” is the first recorded example of Hendrix using a Cry Baby. From then on, Hendrix used the wah wah a lot. “Up From the Skies,” from Axis: Bold as Love, shows Jimi’s jazziest and most subtle use of the wah wah as he uses it to add quick, throaty sweeps to the tune’s hip chord voicings. For the most part, Hendrix’s wah wah technique was extremely bold. Whether it was for propulsive rhythmic accents, like on the stinky funk of “Little Miss Lover,” or as a constant force on tracks such as “Still Raining, Still Dreaming” or “Voodoo Chile (Slight Return),” Hendrix managed to use the wah wah in cavalier, over-the-top ways without ever wearing it out—not an easy feat!
Dunlop SC95 Slash Cry Baby Classic
Throughout his career, Slash has used the Cry Baby to create his trademark epic solos that he weaves into his groundbreaking gritty, blues-influenced rock. We worked closely with him to design the Slash Cry Baby Classic, custom-voiced for the raw, expressive sound that influenced a generation of guitar players. Tuned to a lower frequency and featuring a custom-wound resonance inductor, this wah- wah has a huge dynamic range and a wide sweep. Two side-mounted blue LEDs indicate ON/OFF status, viewable from any angle onstage, so you can always tell when the effect is on. The Slash Cry Baby Classic also features high quality components, such as a true hardwire bypass switch and a long-life pot, and comes in housed in a heavy duty die-cast casing featuring custom Slash artwork and a distressed hot-rod paintjob.