Dunlop at KeyMusic.com

239,-

Dunlop ZW357 Zakk Wylde Sig… This limited run of the Zakk Wylde Signature Rotovibe features the same intensity and speed controls, and rich rotating speaker effect of the classic Dunlop Rotovibe. “Whether it's to spice up a solo, add an overdubbed color, or just a sound that can inspire songwriting—I've had a Dunlop Rotovibe in my pedal board since 1988.” – Zakk Wylde. The Rotovibe is a chorus/vibrato effect that can simulate rotating speaker sounds popularized by Jimi Hendrix and many others. This is a very expressive effect, thanks to its built-in real-time control. Choose either Chorus or Vibrato, adjust the intensity of the effect, and then control the effect's speed by rocking the pedal back and forth.

219,-

Dunlop EJF1 Eric Johnson Si… When you think about Eric Johnson, you think tone, and the tone he's best known for is his sweet, singing, lead tone. His choice for getting that tone has always been the Fuzz Face. EJ worked closely with Fuzz Face guru Jeorge Tripps to create his signature pedal. It is inspired by EJ’s prized personal Fuzz Faces and is built to his incredibly strict specifications, featuring hand-selected BC183 silicon transistors (for higher gain), custom repro ’68-’69 knobs, and a vintage-style hammertone finish. The result: a beautifully dynamic, expressive, and powerful pedal. “I first heard the Fuzz Face when I was about 12 and loved playing through it,” he says. “It’s the classic tone used by Jimi Hendrix, one of my greatest influences. No other pedal gets this type of sound. It’s the pinnacle of psychedelic fuzz.”

190,-

Dunlop DB01 Crybaby Dimebag… This might just be the most flexible, powerful wah pedal ever. Designed in conjunction with Dimebag Darrell of Pantera, the DB-01 Crybaby From Hell gives you everything you need to do serious wah damage. “It's basically what I'd call a hot-rodded wah,” Dimebag explains. “It's pretty tricked out—it's got an extended sweep so you can get it to go more high-endy sounding and deeper too. There's a 5-way selector on the side so you can pick what frequency you're gonna play within. You've got a kick-in boost and LED indicators [Wah on/off, Boost on/off] at the back of the pedal—instead of at the front—so you can see them from the back of the stage. And it's got skateboard skid-tape on it instead of rubber so when you've got beer on your feet you won't slip off it.

170,-

Dunlop JC95 Jerry Cantrell… One of the most influential guitarists to come out of the Seattle rock scene, Jerry Cantrell's epic riffs and searing tone have been the driving force behind Alice in Chains since the late 80's. His melancholy wah-drenched melodies in modern classics like "Man in the Box" and "The Rooster" left an indelible mark on a generation of guitarists. Jerry favored wah-wahs with a wider, darker response, and Dunlop has painstakingly replicated that moody sound to create his signature pedal. The JC95 is custom-voiced for a tight, punchy heel-down tone and a rugged side-control knob lets you fine tune the toe-down frequency. And with its antique, oxidized "road worn" brass casting and custom Alice in Chains tread, this is one pedal that looks as great as it sounds.

169,-

Dunlop MC404 Cae Wah The MC-404 CAE Wah was developed by Bob Bradshaw of Custom Audio Electronics and the Crybaby design team with the goal of creating a highly versatile wah-wah of top-grade components. It features dual Fasel inductors with two distinct voices (high-end emphasis or low to mid resonance), and a built-in MXR MC-401 Boost/LineDriver adds even more flexibility. Choose between inductors and turn the boost on or off with the side-mounted kickswitches; bright LEDs on each side of the wah indicate operation status. The MC-404 boasts true hardwire bypass, a long-life CTS potentiometer, and internal pots for "Q" and gain adjustments—high performance and quality that you can only expect from Dunlop, the world leader in wah-wah technology.

166,-

Dunlop EVH95 Eddie Van Hale… The EVH Wah Wah is the latest offering in the celebrated EVH Signature Series, developed after intensive design collaboration with the legendary guitarist. Early on in the process, Eddie handed over his “Holy Grail” Crybaby—a standard Crybaby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep. Amazingly, we found that over the years Eddie’s unique wah style, which uses mostly the middle range of the pedal’s action, had carved his own curve into the pot’s resistive element, making the middle range even more defined and increased the low-end sweep.

165,-

Dunlop HT1 Heil Talkbox The classic original Heil talkbox creates the 'vocal' guitar sounds used by Peter Frampton, Joe Walsh, Slash, Alice in Chains, Aerosmith and many others. Connected between amp and speaker, the talk box uses a compression driver to send audio signal through a tube placed into the musician's mouth. By varying the resonating cavity (stoma) the signal obtains a speech-like modulation.

159,-

Dunlop SW95 Crybaby Slash W… Like the man himself, the new Slash Wah from Dunlop is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. Now you can have all the features and screaming tone of Slash's very own custom wah pedal—a tool as essential to the hard rock icon's style as his Les Paul and Marshall amp. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down.

149,-

Dunlop SC95 Slash Cry Baby… Throughout his career, Slash has used the Cry Baby to create his trademark epic solos that he weaves into his groundbreaking gritty, blues-influenced rock. We worked closely with him to design the Slash Cry Baby Classic, custom-voiced for the raw, expressive sound that influenced a generation of guitar players. Tuned to a lower frequency and featuring a custom-wound resonance inductor, this wah- wah has a huge dynamic range and a wide sweep. Two side-mounted blue LEDs indicate ON/OFF status, viewable from any angle onstage, so you can always tell when the effect is on. The Slash Cry Baby Classic also features high quality components, such as a true hardwire bypass switch and a long-life pot, and comes in housed in a heavy duty die-cast casing featuring custom Slash artwork and a distressed hot-rod paintjob.

145,-

Dunlop JB95 Joe Bonamassa S… Think all wah pedals are built the same? Think again. The custom-modified Dunlop Joe Bonamassa Cry Baby wah pedal has some cool circuitry tweaks not commonly found on your typical wah. This made in the USA signature wah features a modified vintage circuit with a large vocal sweep range. A vintage-style Halo inductor adds extra harmonic content to your signal while an output buffer prevents impedance mismatch when using vintage pedals. Not only is the Dunlop Joe Bonamassa Signature Cry Baby one of the most expressive wahs ever, featuring modified circuitry and vintage appointments, but it also has a unique and classy look. The lightweight aluminum housing is painted gloss black while the treadle is finished in shiny copper, this is one good looking pedal.

141,-

Dunlop MC406 Custom Audio E… When you run your signal from your instrument to your amp though long cables and/or through a large array of effects with varying impedance, there’s bound to be some signal degradation. Placing the MC406 Buffer in your signal chain addresses this issue.It’s a low-noise buffer in a small, rugged housing; it can add up to +6dB of gain with the front-facing gain slider; it makes up for signal loss that can occur when combining effects with different impedance levels; it fine-tunes signal recovery with Hi and Lo cut switches; it has an extra output for a tuner, separate effects chain or amp, and can be set to receive either a buffered or unbuffered signal; it also features a convenient 9VDC power output jack which provides power for another pedal. The MC406 Buffer is truly a mighty utility with a small footprint—an ideal addition to any effects rig or pedalboard!

139,-

Dunlop 535Q Crybaby Multi W… The Crybaby 535Q is the Swiss Army knife of wah pedals. It provides control over the most important wah parameters, making it easy for you to create your ultimate wah tone. Select the frequency center of the effect, then dial in the frequency range to be swept by the pedal. From narrow and sharp to broad and subtle, this powerful wah will deliver it. Once you've got your sound, make sure it gets heard with the adjustable, switchable boost that can create endless sustain on any note. This is the wah pedal of choice for guitar master Joe Satriani. The 535Q offers versatility never heard before. This pedal allows the player to customize and shape the sound of the wah.

136,-

Dunlop JH2 Jimi Hendrix 70t… Released in August of ’67, “Burning of the Midnight Lamp” is the first recorded example of Hendrix using a Cry Baby. From then on, Hendrix used the wah wah a lot. “Up From the Skies,” from Axis: Bold as Love, shows Jimi’s jazziest and most subtle use of the wah wah as he uses it to add quick, throaty sweeps to the tune’s hip chord voicings. For the most part, Hendrix’s wah wah technique was extremely bold. Whether it was for propulsive rhythmic accents, like on the stinky funk of “Little Miss Lover,” or as a constant force on tracks such as “Still Raining, Still Dreaming” or “Voodoo Chile (Slight Return),” Hendrix managed to use the wah wah in cavalier, over-the-top ways without ever wearing it out—not an easy feat!

135,-

Dunlop Jimi Hendrix Octavio Get the True Hendrix Octave Experience! The Dunlop Jimi Hendrix Octavio octave divider gives you a stellar recreation of one of the legendary artist's tools - right down to every knob, jack, switch and circuit. Considered the "holy grail" of octave fuzz pedals, the Octavio "octave up" pedal was used by Hendrix to achieve some incredible textures. The Jimi Hendrix Octavio features front-panel level and fuzz controls.

133,-

Dunlop KH95 Crybaby Kirk Ha… Now you can command the same killer wah tone as Kirk with the new Kirk Hammett Signature Wah. Developed in close collaboration with the metal guitar icon himself, it has been meticulously tuned and tweaked to deliver the wah-wah sound that revolutionized metal solos in the ’80s and for all time to come. This is the legendary tone that Kirk dials in on tour, using his DCR1SR Crybaby Rack Wah. Dunlop’s engineers took Kirk’s EQ, volume and tone settings—reflecting decades of blazing Crybaby riffology—and reproduced them with exacting precision. The Kirk Hammett Wah is exceptionally even in response as you move from heel to toe, with a thick top end and full dynamic range. Dare to step into the footprint of a giant. Own a piece of the legend: the Kirk Hammett Signature Wah from Dunlop.

130,-

Dunlop JHF1 Jimi Hendrix Fu… The Dunlop Jimi Hendrix Fuzz Face is a meticulously faithful reproduction of the 1969-70 Dallas Arbiter Fuzz Face that Jimi used on classic albums like Band of Gypsys. Dunlop's engineering department examined hoards of vintage Fuzz Faces, honing in on a few units that possessed unmistakable Jimi voodoo. The Hendrix Fuzz Face is built around the toneful BC108 silicon transistor. It is authentic in every detail — a hand wired brown circuit board with no solder mask and circuitry carefully matched to the original specs. The look is 100% accurate too — that groovy circular chassis with tooled clones of the original Fuzz Face knobs in the rare and vintage turquoise hammertone finish. Hendrix was the master of fuzz — an artist with many subtle shadings at his command. His love affair with the legendary Fuzz Face pedal began in the early days of the Experience and continued to evolve throughout his blazing career.

125,-

Dunlop DVP3 Volume X Create incredibly smooth volume swells or control your effect pedal parameters with the Dunlop DVP3 Volume X. Small and pedalboard-friendly, the DVP3 is solidly-built and ready for the road. It’s housed in an aluminum chassis with aggressive non-slip tread and comes equipped with our patent-pending Band Drive for a smooth range of motion without the fear of breakage or change in feel or range. For maximum comfort and precision, the DVP3’s rocker tension is fully adjustable. When using the DVP3 as an expression pedal, you can use the internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP3 has an internal switch that allows you to do so. Along with Volume, FX and Output jacks, the DVP3 also features a convenient Tuner output for silent tuning onstage.

125,-

Dunlop 95Q Crybaby Q Wah Wah Dunlop took the original Crybaby and added the two most popular and requested upgrades the famous Q control, which varies the intensity of the wah effect by adjusting the effect's bandpass shape, and the volume Boost, for up to 15 dB added gain to your output signal. The 95Q is a flexible tone monster that retains the original Crybaby's fast-reacting characteristics. Features: Heavy die cast construction for years of reliability, 100k ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Silent "auto-off" switching automatically bypasses the effect when the foot is off the pedal. The adjustable volume boost know for up to +15 dB is mounted on the side of the pedal along with the adjustable "Q" control. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.

119,-

Dunlop JDF2 Fuzz Face The Jim Dunlop Fuzz Face JDF2 is a replica of the Fuzz Face pedals built by Arbiter and Dallas Arbiter from 1967 until early 1969. These earlier Fuzz Faces were built with germanium transistors rather than the silicon transistors used in later Dallas Arbiter Fuzz Face pedals. The Dunlop JDF2 uses NTE158 germanium transistors. It's built into the traditional Fuzz Face aluminum disk-shaped enclosure, painted red, with the In jack on the left and the Out jack on the right, knobs for Volume and Fuzz, and no 9VDC input jack. The JDF2 can be distinguished from the earlier red-painted Dunlop Fuzz Face JHF2 by the model designator and because the JHF2 reads "Dallas--Arbiter--England" in the smile-shaped label port, whereas the JDF2 reads "Dunlop Manufacturing Inc." Also, the JHF2 used NKT275 transistors and the JDF2 uses NTE158s. Power: Single 9 volt battery (not included!).

118,-

Dunlop GCB95F Crybaby Class… When you think about the classic wah-wah sounds of the 60s, you think about British bluesmen and psychedelic American rockers, not Italy. But those Sunshine-y and Foxey tones could not have existed without the Italian-made Fasel inductors that were in the first wah pedals—including the original Crybaby. These inductors were the key to the pedals' tone, but have been unavailable for years. Not anymore. Your Crybaby Classic with Fasel Inside will faithfully recreate the vocal sweep and lush harmonics from those timeless recordings. Plug in your Crybaby Classic and hear what you've been missing. Features: Heavy die cast construction for years of reliability, 100K ohm Hot Potz potentiometer that allows for that quick, abrupt wah sound. Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery ( not included in the price ).

115,-

Dunlop DCB10 DC Brick The DC Brick is the most reliable and consistent way to power your effects board. Forget the collection of unsightly wall warts ... the DC Brick will drive ten pedals or stomp boxes from the same source! More than a power supply, this box is a power conditioner as well. Unlike aging batteries, the Brick supplies predictable voltage at all times, keeping your effects consistent from show to show. Its FCLC (Foldback Current Limiting Circuit) provides ultimate protection against power shorts and overloads. Even at full load, you'll enjoy the quiet and cool operation of a fully regulated power supply. But since battery-powered effects rarely exceed 30 milliamps each, you're not likely to use anywhere near the Brick‘s capacity of 1000 milliamps output!

115,-

Dunlop JH1D Jimi Hendrix Si… The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day, few players' names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms. The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like "Up From the Sky," "Voodoo Child (Slight Return)," "Little Miss Lover" and "Still Raining, Still Dreaming." The Jimi Hendrix Signature Wah reproduces these timbres, and more, with startling accuracy. Throaty and expressive, it will fire your imagination. The vintage classic look features a sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound, everything about this wah just screams Hendrix.

115,-

Dunlop ZW45 Crybaby Zakk Wy… With the Dunlop ZW-45 Zakk Wylde Signature Wah, modern Crybaby master Zakk Wylde and Dunlop have joined forces to deliver the toughest, meanest wah pedal on the planet. Built from the ground up with great tone and rugged durability in mind, this pedal can stand up to the crushing stomp of metal's reigning king of lead guitar. The Wylde Wah features a heavy-duty raw-metal casing and roadworthy components to withstand years of abuse. With guts that have been finely tuned to Zakk's specs, including the Fasel inductor, this wah is specially voiced to deliver an extra-thick and cutting tone. Powered by 9V battery or Dunlop ECB-003 AC adapter.

115,-

Dunlop FFM1 Fuzz Face Mini… The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: true bypass switching, a bright status LED, an AC power jack and a convenient battery door. The FFM1 Silicon Fuzz Face Mini is spec’d from a 1970 Fuzz Face in our own collection prized for its bright and aggressive Fuzz Face sound delivered by its matched BC108 silicon transistors.

115,-

Dunlop FFM3 Fuzz Face Mini… The Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: true bypass switching, a bright status LED, an AC power jack and a convenient battery door. The FFM3 Jimi Hendrix Fuzz Face Mini has the exact same circuit as the JHF1 in smaller housing, delivering the thick, smooth Fuzz Face tone that Jimi Hendrix made famous in a pedalboard-friendly size.

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