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Boss Boutique Pedal Chorus Crybaby Delay DigiTech Distortion Dunlop EBS−Effekt Effektgerät Netzteil Effektpedal Verbindungsstecker Electro Harmonix Flanger Fulltone Fuzz Gitarrenkabel HardWire Line 6 Pod Multieffekt MXR Overdrive Pedal−Board Radial Reverb Effekt Rocktron Talkbox TC Electronic T−Rex Visual Sound Voodoo Lab Wah ZVex
166,-
166,-
Neu!
DigiTech IStomp
The iStomp™ works just like every other stompbox. Step on the footswitch to turn it on and off. Adjust the knobs to get the sound you want. The biggest difference between the iStomp and other stompboxes is you can completely change the iStomp to be any pedal in the entire pedal line. Simply connect your iPod touch®, iPhone®, or iPad® to the iStomp and select which pedal you’d like from the DigiTech® Stomp Shop™ App. In about the same time it takes to download a song you can change the iStomp from a distortion to a reverb, a phaser to a tube overdrive, or a delay to a chorus. iStomp includes DigiTech’s Total Recall™ digital delay and Redline™ overdrive to get you started.
124,-
124,-
64,-
64,-
Top-Seller!
Electro Harmonix Big Muff U…
Der Electro Harmonix Big Muff zählt zu den Klassikern der Verzerrer. Als eines der ersten Pedale lieferte er einen harmonischen, röhrenähnlichen Distortionsound, und so ist es nicht verwunderlich, dass er gerade auch von Gitarristen, die auf schöne Overdrivesounds Wert legen, bevorzugt wurde. Typisch für den Big Muff ist nämlich das beinahe violinenhafte Sustain. Inklusive 9-volt batterie.
98,-
98,-
95,-
95,-
48,-
48,-
184,-
184,-
149,-
149,-
99,-
99,-
69,-
69,-
Hot deal!
Dunlop GCB95N Original Cryb…
Größen wie Jimi Hendrix, Eric Clapton, Steve Vai, Joe Satriani und viele andere benutzten das pedal schon. Das Cry Baby GCB95 hat den am höchsten angesetzten Frequenzbereich von allen Dunlop Pedalen. Dadurch eignet es sich vor allem auch für cleane und angezerrte Sounds, z.B. diese legendären Rhythmusgeschichten, wie wir sie vom Shaft-Soundtrack oder von der Titelmelodie von Die Straßen von San Francisco noch in bester Erinnerung haben dürften.
259,-
259,-
284,-
284,-
549,-
549,-
69,-
69,-
Boss FV50H Volume Pedal
Mit seiner hochohmigen Ausführung ist es für Gitarristen interessant, die die Lautstärke ihrer Gitarre (und damit auch die Verzerrung des Amps) lieber per Pedal regeln wollen. Diese Aufgabe erfüllt das FV 50 - im Gegensatz zu den meisten Gitarrenpotis - praktisch ohne Soundverluste - gerade vor der Vorstufe des Amps kein Nachteil!! Sehr praktisch ist auch der Tuner-Out; mit einem angeschlossenen Stimmgerät kann so lautlos gestimmt werden!
119,-
119,-
173,-
173,-
EBS MetalDrive
The EBS MetalDrive is the eighth pedal in the EBS Black Label series. The idea behind the pedal was born after modifying a MultiDrive pedal for bass player John Moyer of Disturbed, who needed a pedal for bass that delivered not only overdrive but pure metal distortion that could match Disturbeds famed heavy guitar riffs. So, EBS techs took on the commission to create the meanest and heaviest distortion pedal ever made for bass, and came up with the
EBS MetalDrive!
99,-
99,-
Boss BD2 Blues Driver
Der Röhrenverstärker ermöglicht eine breite Palette großartiger Sounds, von weichem Jazz über härtesten Rock bis hin zu melancholischem Blues. Die natürliche Ausdruckskraft der Gitarre wird durch den Röhrenverstärker noch vergrößert, indem er die feinen Nuancen der verschiedenen Gitarren, Tonabnehmer und Spielarten hervorhebt. Die größten Gitarristen der Geschichte haben Röhrenverstärker gespielt - das war und ist der absolute Sound. Mit diesem Pedal können Sie dem Sound und Ausdruck eines echten Röhrenamps sehr nahe kommen. Auch zum Üben zu Hause ist der BD-2 ideal, da er schon bei geringer Lautstärke die nötige Röhrenverzerrung bringt. Das schont die Nerven Ihrer Nachbarn.
249,-
249,-
TC Helicon VoiceTone Create…
VoiceTone Create XT is the complete 'Hit Producer in a Pedal'. The original VoiceTone Create is already used by tens of thousands of singers, giving vocalists the world over all of the tools they need to quickly and easily turn in superbly produced vocal performances. VoiceTone Create XT has raised the bar for superb vocal production to even greater heights with the addition of more features than it should be possible to fit into a pedal of this size!
189,-
189,-
Rocktron Banshee Talkbox
Gleich bei ihrer Neuvorstellung hat die Banshee Talkbox für Furore gesorgt, denn sie lässt sich ganz einfach wie ein normales Effektpedal anschliessen. Es ist also nicht mehr nötig, ein verstärktes Signal an die Talkbox zu leiten. Nur der Kunststoffschlauch wird nach wie vor zum Mikrofon geführt und los geht's!
88,-
88,-
Ebow Ebow Plus
eheimnisvoll, oft gehört, selten erkannt… der E-Bow ist vielleicht der effektivste Effekt für Gitarre überhaupt. So eine Vielfalt von Möglichkeiten bietet kein Pedal dieser Welt. Nazareths Love Hurts-Solo soll so entstanden sein, und bei Oasis´ Wonderwall meint man nur, da brummt ein Cello… Sustain ohne Ende ist die einfachste Übung, mit der verbesserten Führung gleitet der Bow wie auf Schienen, das hat man schnell heraußen.
340,-
340,-
98,-
98,-
355,-
355,-
Radial Tonebone Plexitube
Die unwiderstehliche Wärme und Dynamik einer 12AX7 Röhre. Perfekt in Szene gesetzt durch die Power einer einzigartigen Multistage-Driveschaltung: Der 2-kanalig ausgelegte PLEXITUBE ist das ultimative Tool für Gitarristen, die mehr von einem Distortion-Pedal erwarten als „nur“ Verzerrung! Genau wie der Tonebone Hot British steht auch der Plexitube ganz in der Tradition legendärer britischer Hi-Gain Röhren-Verstärker. Der Tonebone Plexitube ist ein 2-kanaliges Röhren-Distortion-Pedal, das die Wärme und natürliche Harmonie einer 12AX7 Röhre mit der Dynamik und Kontrolle unserer einzigartigen „Multi Stage Solid State Overdrive“-Schaltung kombiniert. Das Ergebnis ist Mega-Gain mit Tonnen von Obertönen. In Verbindung mit einem passiven/interaktiven Equalizer stehen vier Generationen von Marshall Plexitones zur Verfügung. Netzteil inkl.
305,-
305,-
Strymon Flint
Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. You also get the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb. With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.
Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. You also get the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, and the nostalgic '80s Hall Rack Reverb. With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.
Visual Sound Time Bandit
The new Time Bandit from Visual Sound controls your tap tempo delay pedal with a click track, dials it in with a BPM generator, and will work with just about any delay pedal that has an "external tap tempo" jack. Whether you have the Visual Sound Dual Tap Delay, a Boss DD-5, or one of many other delay pedals, the Time Bandit will allow you to be in sync with a click track without tapping. If you prefer to dial in the Beats Per Minute, the Time Bandit has a large knob that will allow you to dial it in by hand or foot and see the BPM on the LED display.
The new Time Bandit from Visual Sound controls your tap tempo delay pedal with a click track, dials it in with a BPM generator, and will work with just about any delay pedal that has an "external tap tempo" jack. Whether you have the Visual Sound Dual Tap Delay, a Boss DD-5, or one of many other delay pedals, the Time Bandit will allow you to be in sync with a click track without tapping. If you prefer to dial in the Beats Per Minute, the Time Bandit has a large knob that will allow you to dial it in by hand or foot and see the BPM on the LED display.
EWS FD1 Fuzzy Drive
Brute Drive (BD-1) is a new distortion pedal designed by EWS. Compared to it's extreme cousin, Fuzzy Drive (FD-1), the BD-1 is designed for smooth, classic distortion sounds. With intuitive controls and a classic layout design; Volume, Gain and Tone, this versatile pedal also incorporates a Boost Switch for amplifying the low-mid/gain up to 10db!
Housed in bullet proof aluminum and as always true bypass, the Brute Drive (BD-1) will be an instant classic!
Brute Drive (BD-1) is a new distortion pedal designed by EWS. Compared to it's extreme cousin, Fuzzy Drive (FD-1), the BD-1 is designed for smooth, classic distortion sounds. With intuitive controls and a classic layout design; Volume, Gain and Tone, this versatile pedal also incorporates a Boost Switch for amplifying the low-mid/gain up to 10db!
Housed in bullet proof aluminum and as always true bypass, the Brute Drive (BD-1) will be an instant classic!
EWS BMC Bass Mid Control
The new Bass Mid Control is the active mid-controller for bass players. A small but powerful pedal that provides frequency control adjustments between 120Hz ~ 3kHz. When using 2-band EQ or passive bass, the Frequency control provides excellent manipulation of the mid frequencies, while the Boost/Cut gives you boosting or cutting capabilities of up to + / - 12dB. This compact pedal can also be powered by a 9V battery or for additional headroom use an 18V power adapter. This pedal will provide you the flexibility to play any musical style.
The new Bass Mid Control is the active mid-controller for bass players. A small but powerful pedal that provides frequency control adjustments between 120Hz ~ 3kHz. When using 2-band EQ or passive bass, the Frequency control provides excellent manipulation of the mid frequencies, while the Boost/Cut gives you boosting or cutting capabilities of up to + / - 12dB. This compact pedal can also be powered by a 9V battery or for additional headroom use an 18V power adapter. This pedal will provide you the flexibility to play any musical style.
EWS SVC Subtle Volume Control
The EWS Subtle Volume Control or SVC is a device based on Scott Henderson’s idea, which provides better control of your overall volume than a traditional volume pedal. With subtle increases or decreases in volume, your audience may never realize that you’ve changed your volume. The SVC goes in your amp effects loop. This allows you to control your volume without changing the gain you have dialed in at the front of the Preamp. The SVC can also be used between your last pedal and the front of the amp, but keeping your gain consistent while changing volume will not be as effective.
The EWS Subtle Volume Control or SVC is a device based on Scott Henderson’s idea, which provides better control of your overall volume than a traditional volume pedal. With subtle increases or decreases in volume, your audience may never realize that you’ve changed your volume. The SVC goes in your amp effects loop. This allows you to control your volume without changing the gain you have dialed in at the front of the Preamp. The SVC can also be used between your last pedal and the front of the amp, but keeping your gain consistent while changing volume will not be as effective.
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