WAMPLER ... 

DE BESTE DEALS SLUIT JE HIER! Gratis verzending bij een bestelling vanaf 100 euro. Plaats je bestelling vandaag nog en profiteer van onze gunstige voorwaarden. Wij hanteren de laagste prijzen in Europa. Ergens anders toch een lagere prijs? Wij matchen!** Ons team staat klaar om je bestelling razendsnel te verwerken. Bel met 03-7666393 voor persoonlijk advies van onze specialisten.
 239,-
 239,-
 Wampler Paisley Drive The truly great thing about this pedal is that it’s not only Telecaster style guitars that it works so well with, it brings the best out of your Strat or anything you may have loaded with humbuckers. You no longer need to have individual pedals for your guitars; the Paisley Drive will make each one sing. The inbuilt tonal controls, the presence and mid contour switches, will make this pedal the single most versatile and complete overdrive pedal you have ever owned. In fact, we believe it might be the last one you ever buy...
 229,-
 229,-
 Wampler Faux Spring Reverb Fat, watery spring reverb in a pedal... without the springs! From subtle to surf, you can even hear the "boing!" with extreme settings. Many reverbs go through an analog to digital conversion and then convert back from digital to analog after making the reverb echoes. This process will wreak havoc on your tone, making it seem lifeless, sterile, and...well, just BAD. This pedal has an analog base tone, so no worries about this pedal wrecking your tone! The tone control on it allows you to darken or brighten your echoes.
 199,-
 199,-
 Wampler Faux Analog Echo The Faux AnalogEcho is one of the best delay available, with one of, if not the, best sounding echo structure you will ever ever. We've been tweaking this design for quite some time in order to get it “just right”. The unique “tone” control gives you control of the tonality of the echoes making it possible to get a warm analog tone or a almost a fat tape echo sound. For the complete Tape Echo experience, take a look at our Faux Tape Echo pedal. The AnalogEcho is the EXACT same pedal as used by many famous guitar players, including Brad Paisley, Brent Mason, James Burton, Oli Brown and many others. This pedal uses the same chip that most boutique delays use, the pt2399. This allows the dry path and core signal to remain completely unaltered and only use the chip to make a digital replication of the echoes. That way, the echoes get converted back to analog and EQ'd to sound more like a cross between an analog delay and a tape echo than a sterile sounding digital delay.
 205,-
 205,-
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 Wampler Ecstasy If you love the sound of your clean tone, and just wish you could have more "hair" on the note... a little bit of grit without any change in tonality, the Ecstasy will do that with ease. PLUS it's extremely flexible... with the toggle switch in the down position you'll get a hint of fuzz along with the overdrive, it's reminiscent of the tones that "Eric Johnson" may use. With the toggle in the up position the tonality is super smooth, creamy yet crunchy when you dig into the strings. This is reminiscent to the famous "dumble" tone, though it's really much, much more than that. In the center position, the toggle will give you tons of crunch, or roll the gain back a bit and push the volume up and you have a superior clean boost with a 2 band EQ that's extremely transparent, but variable so you can actually turn it into an awesome treble booster just by cranking up the treble and turning the bass down.
 269,-
 269,-
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 Wampler Brent Mason Hot Wir… Most people think they’ve never heard of Brent Mason. We would bet that although you may not recognize the name, chances are huge that you have heard him. Brent is, without doubt, the number 1 session musician working out of Nashville and has been since the early 1990’s. Two pedals in one (overdrive and distortion), this is one of the most versatile pedals available. One channel has all your overdrive needs, from a gentle break up to all out crunch, the other gives you dirt... Loads of fat, creamy distortion that is tonally perfect from top to bottom. If need be you can stack them both together for a huge, huge sound. Brent uses this pedal daily in the studio. He uses it live. When it has Brent’s name on it, you know it’s nothing short of perfect.
 205,-
 205,-
 Wampler Plextortion The Plextortion is a distortion pedal that was originally designed to emulate a “JCM800®” with Celestion Greenbacks (If you think of those great tones from Back in Black era AC/DC, all the way through to (post DLR) Van Halen, Dokken, Ratt, Guns'N'Roses and all those amazing 80's rock “cranked Marshall” tones). It has a very brown sounding distortion, in a way, quite similar to the Pinnacle pedal.
 239,-
 239,-
 Wampler Pinnacle Deluxe De Pinnacle en Pinnacle Deluxe hebben dezelfde geweldige klank. Het verschil zit hem in een paar speciale functies op de Deluxe versie die het pedaal een stuk veelzijdiger voor je maken. Terwijl de standaard Pinnacle een tuimelschakelaar heeft om de Gain Boost te regelen, heeft de Pinnacle Deluxe dezelfde functionaliteit op een voetschakelaar, zodat je hem zonder te bukken kunt bedienen, en direct door kunt spelen. Het enige andere verschil is dat de Pinnacle Deluxe een extra, interne volume-instelling heeft (voor het geval dat je standje '11' nodig hebt op het output volume). Vanwege die extra schakelaar is de Pinnacle Deluxe iets groter dan de standaard Pinnacle, iets om in gedachten te houden voor als je met een volgepakt pedaalbord werkt.
 205,-
 205,-
 Wampler Plexi Drive A couple of years ago Brian wanted a "JTM45®"....BAD! At the time his band mate had a nice "JTM45®" that was 'handed' down to him, and... well... he was jealous! Brian, being the electronics tinkerer that he his set off to design a pedal that would get him those tones out of any run of the mill (ahem...cheap) amp and satisfy his lustings for the "Marshall®" Wonder of Beauty. After many long nights of breadboarding, tweaking, and tweaking some more, He finally came up with it: The Pedal that absolutely nails that "JTM45®" tone like none other. He designed it to sound sort of like a cross between a "Marshall 18®" and a "JTM45®", and those who have purchased the Plexi-Drive agree that it's very accurate! The bass boost toggle switch adds fat, full bottom end which is very useful in lower gain or lower volume (bedroom practicing) applications. For band volumes, cutting the bass out a bit really helps the tone cut through perfectly.
 249,-
 249,-
 Wampler Triple Wreck The Triple Wreck high gain distortion pedal... When this pedal was thought of, it was decided that we would take no prisoners, we would produce a pedal with so much gain it would wipe the floor of anything else. This pedal is probably one of the tightest, thickest highest gain distortions you have ever heard... Many people have told us that it sounds more like a 5150 amp to them than a distortion pedal, that may very well be - All we know is that Brian designed it to just to be an ass kicking distortion pedal, heavier than everything else, meaner than everything else, and it is. With a solid three band EQ (total control allowing you to scoop out those mids without it peeking out the lows and highs like so many other pedals) you can emulate some of your favorite high gain tones, but as this pedal is so versatile, you can easily find a distinctive tone all of your own. There is no much control over the tone your distinctive sound is waiting for you. Believe it or not, even when the gain is backed off, this pedal is still useable, still sounds great.
 215,-
 215,-
 Wampler Black 65 Over the years, we've had tons and tons of folks asking us when we were going to produce an overdrive pedal that emulates the sound of a cranked Fender® amp. When Brian decided that he was going to see if he could do it, he wanted to ensure that it was perfect. Looking back at it now, we think he must have spent a good 9 months breadboarding and prototyping lots of different ideas, a/b-ing each one with various Fender® amps, tweaking and changing until he found the sound that was accurate. Once he got a sound that he was 100% happy with, he took it to Nashville studio ace Brent Mason to test it out. To be certain, Brian also took several pedals by other companies that are supposed to do the same thing. Brent knows Fender® amps better than anyone, and Brian knew if Brent thought it was good, we were onto a winner. Long story short, Brent LOVED it! We've heard guys say they hear The Twin®, some say Vibrolux®, some say Deluxe Reverb® when they play this pedal. Whatever they hear, it still has that "Blackface" type of sound that we were looking for. When you turn it up, it's going to break up more like the amp would if you turn it up. With the additional of the boost switch, you can increase the gain to make it sound like the amp is being driven harder.
 205,-
 205,-
 Wampler Ego Compressor It gives you a clear articulate sound thanks to the “clean blend” knob which blends in your original clean signal yet still thickens your tone up better than anything else available in pedal form. It also will add a ton of sustain to your notes - all without excess noise. The “tone” control adds in clarity and punchiness - while cutting through the mix! It won't screw your core tone up either like other compressors with tone controls.
 229,-
 229,-
 Wampler Faux Tape Echo De Faux tape echo is in principe een combinatie van de Faux Analog Echo en een uniek circuit dat de echo's sneller en langzamer maakt, net als een echte tape echo. Als je de simpele steriele delay klanken moe bent, of je analoge delay graag wat helderder had gehad, dan is de Faux Tape Echo iets voor jou! Terwijl de echo's digitaal gemaakt worden, blijft het basissignaal geheel analoog en extreem transparant. De echo's zijn niet steriel en broos, zoals bij een digitale delay, maar groot, vol en VET.
 165,-
 165,-
 Wampler Talent Booster Sometimes you just need that “11” on your guitar or amp... something to beat your amp into submission and show it who's the boss... Meet the Talent Booster. That's its job, to give you “extra”. Step on the button and instant talent... Well, that's not entirely true but stepping on the button will catapult your signal making your amp much more responsive. We've designed this pedal to be very touch sensitive and warm, yet it has a switch to add in some mids and presence if you need extra “girth”. It's a very transparent JFET based booster, and has a “gain” control (which allows you to have a hint of dirt), a volume control, and a presence switch which will add in some mids and highs. Cranking up the gain and you can add just a bit of natural compression and a bit of grind that makes a clean tone jump out... it doesn't change your tone at all however, it just ADDs to it! It works well as a simple solo boost as well - place it behind your favorite overdrive or distortion (or use it in your amp's effects loop) and it will allow you to get your solo tones way out in front.
 229,-
 229,-
 Wampler Nirvana Chorus An extremely flexible chorus pedal designed to take you to total nirvana - extreme lushness, nice and watery if you desire, or swirling speaker tones! From phat chorus, leslie type wobble all the way to straight vibrato, the nirvana chorus delivers. Controls include volume, tone, rate, depth, switchable chorus types, and a switch to go to straight vibrato. The pedal is mono however, as only one output is available.
 209,-
 209,-
 Wampler SLOstortion The SLOstortion brings the awesome tone of those killer high-wattage heads and famous preamps together into one package, with a voicing that will be maintained across virtually any setup. No need to worry whether you'll have a good clean tone and a good distorted tone. Just your favorite amp and the SLOstortion to take your tone places walked by some of the best guitar-slingers from the 1980s to today. It features a great three-band EQ to make sure you can have "The Tone" through YOUR setup, whatever it may be. The gain is switchable between two separate modes to capture the nuances and flavor of its inspiration. The normal mode will go from a nearly clean tone to a tight, defined crunch, and the high gain mode goes all out. It's responsive, too, and to top it off, even when the tone is as heavy as it gets, the pedal doesn't squeal and hiss with noise. No sacrifices for your rig.
 215,-
 215,-
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 Wampler Tweed 57 The sound of the pedal is based upon the classic Fender Bassman tones so prevalent of the ‘50s. The pedal has a 3 band EQ that allows complete control of the tone, some people have already asked if it is similar to the Black ’65, in a way it is but the tone is fundamentally different, it’s much warmer and fuller with slightly more “gain” on tap. In many ways, it can be comparable to the Black ’65 as it will work exceptionally well as an “end of the line” tone shaper, a “stacking” pedal. The really unique feature on this pedal is the input simulator. The amps that this was based on featured the normal input, the bright input or you can, if desired, link the two together. Brian has made the 3 way toggle switch replicate this very well. Wampler Clean Buffer "What's a buffer...? What does a buffer do...?" A buffer is a basic preamp circuit that doesn’t add any gain to the signal, but instead coverts it from high to low impedance and gives it the strength necessary to make the rest of the journey through long cable runs and complex circuitry without loss of tone or level. A properly designed buffer won't change the tone of your signal. "Why do I need a buffer?" Let's say you have a pedalboard with 10 or more different pedals on it...a 20ft cable from guitar to pedals, and another 20ft cable from pedals to amp. Any guitar cord of 20 feet or more imposes a load on your signal that depletes the high end in particular, but is generally heard to be dulling down the overall tone slightly. If we run that signal through 20 or more input and output jacks, 20 switch terminals and the contacts between them, and several inches of wiring within each unit to make the true bypass connections, we'll get a lot of tone sucking. If you own even a handful of true bypass pedals yourself, try it out: connect together as many as you can find (switched off), use a long guitar cord on either side, and check your tone. Now unplug at the amp, plug straight in with just one cord, and listen again. Hear the difference? Put a buffer stage toward the front of that loaded pedalboard, however, and at the end of the chain, and the buffer makes the rest of the wiring and cable length after it “invisible” to your signal. The buffer will preserve clarity and definition that improves your final overall sound. Most touring guitarists will have a ton of gear they are playing through (most of the pedals being true bypass) but you’ll find they either have a buffer or preamp to drive those long cable lengths, or they run through a custom-made switching system that has its own buffering, and which takes the pedals out of the loop when they’re not on.