SEYMOUR DUNCAN ... 

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123456Volgende »
 78,-
 78,-
 Seymour Duncan SH4 Black The archetype hot-rodded humbucker for over 30 years. Great for everything from heavy blues to heavy metal. The world's most popular humbucker. Provides slammin' output while retaining singing highs, aggressive harmonics, and just the right blend of sustain and distortion. Goes from sweet warm tones to raw rock 'n' roll. Compared to the SH-14 Custom 5, the JB has a stronger treble detail. Some players use it with 250K pots to smooth out the highs. Comes with four-conductor hookup cable. Recommended for bridge position. For balanced and warm instruments. Works especially well with rosewood fingerboards.
 77,-
 77,-
 Seymour Duncan SHR1N Hot Ra… High output single-coil-size "rails" humbucker. Great for classic rock, garage, punk, heavy rock, thrash, classic metal and nu-metal. One of the highest output and most popular pickups we make. The two thin blades, strong ceramic magnet and powerful coil windings give you the incredible sustain and a fat, full sound that's needed for playing heavier rock music. This pickup responds to the subtlest finger movements. Comes with four-conductor hookup cable. Available for both bridge and neck/middle positions. For an incredibly versatile guitar, use an SHR-1b in the bridge position along with an SVR-1n Vintage Rails in the middle and an SCR-1n Cool Rails in the neck. For all well-balanced instruments. Works equally well with maple and rosewood fingerboards. Neck position.
 103,-
 103,-
 Seymour Duncan SAPH2B Alnic… Though he has dozens of amazing guitars, since 1986 Slash has used pretty much one very special Les Paul ® for all recording. The Alnico II Pro Slash was designed to give Slash's other Les Paul guitars-what he calls his "live guitars"-the exact tone of this legendary instrument. Like the standard APH-1 Alnico II Pro, this pickup uses an Alnico 2 magnet. However, the Slash model is wound with just enough boosted output to push a stock Les Paul toward the sweet sustain and rude crunch that characterizes Slash's sound as heard on hundreds of tracks. In addition, it comes with some of the same appointments found on the Seymour Duncan pickups in Slash's '86 recording axe, including single-conductor cable, long-legged bottom plate, and wooden spacer. For the true fan, or the player who wants to capture Slash's recorded tone, this pickup is a critical part of the tone chain. This is same pickup found in the newest Gibson® Slash model Les Paul.
 198,-
 198,-
 Seymour Duncan SAPH2S Alnic… Though he has dozens of amazing guitars, since 1986 Slash has used pretty much one very special Les Paul ® for all recording. The Alnico II Pro Slash was designed to give Slash's other Les Paul guitars-what he calls his "live guitars"-the exact tone of this legendary instrument. Warm, moderate output humbucker. Recommended for jazz, blues, and classic rock. Like the standard APH-1 Alnico II Pro, this pickup uses an Alnico 2 magnet. However, the Slash model is wound with just enough boosted output to push a stock Les Paul toward the sweet sustain and rude crunch that characterizes Slash's sound as heard on hundreds of tracks. In addition, it comes with some of the same appointments found on the Seymour Duncan pickups in Slash's '86 recording axe, including single-conductor cable, long-legged bottom plate, and wooden spacer. For the true fan, or the player who wants to capture Slash's recorded tone, this pickup is a critical part of the tone chain. This is same pickup found in the newest Gibson® Slash model Les Paul. The Slash aficionado will use a pair of these pickups to capture that unmistakable tone. This pickup matches well with the SFX-11 Twin Tube Blue all-tube overdrive-distortion stompbox for singing leads and authoritative chording. While designed for use in a Les Paul, this pickup works well in any well-balanced humbucker-equipped guitar. Also works great with hollow and semi-hollow body guitars.
 19,-
 19,-
 Seymour Duncan YJM250 High-… When Yngwie Malmsteen turned to Seymour Duncan to improve and refine his pickups— the YJM Fury™Signature Model for Strat®—it made sense to refine another important part of his playing volume potentiometer. With his highly refined technique and exacting attention to sound, Yngwie employs the volume pot to take complete control of his phrasing dynamics. He uses his pinkie finger to flip the volume on and off for dramatic, lightning-fast starts and stops. That's why Yngwie's YJM High-Speed Volume Potentiometer contains a minimal-viscosity lubricant for fast-action potentiometer turns. At its core, the YJM High-Speed Volume Pot is a high-quality 250k. or 500k. Bourns® potentiometer customized for Yngwie.s playing needs. The split-shaft design of the post can accommodate a variety of knobs.
 138,-
 138,-
 Seymour Duncan JBJZ Hot Rod… The archetype hot-rodded humbucker for over 30 years. Great for everything from heavy blues to heavy metal. The world's most popular humbucker. Provides slammin' output while retaining singing highs, aggressive harmonics, and just the right blend of sustain and distortion. Goes from sweet warm tones to raw rock 'n' roll. Compared to the SH-14 Custom 5, the JB has a stronger treble detail. Some players use it with 250K pots to smooth out the highs. Comes with four-conductor hookup cable. Recommended for bridge position. Often a JB is paired with a neck pickup like the SH-2n Jazz (Seymour's favorite) for versatility. For balanced and warm instruments. Works especially well with rosewood fingerboards. SH-4 JB / SH-2n Jazz Hot Rodded Humbuckers.
 189,-
 189,-
 Seymour Duncan APH2SZRZ Aln… Though he has dozens of amazing guitars, since 1986 Slash has used pretty much one very special Les Paul ® for all recording. The Alnico II Pro Slash was designed to give Slash's other Les Paul guitars-what he calls his "live guitars"-the exact tone of this legendary instrument. Warm, moderate output humbucker. Recommended for jazz, blues, and classic rock. Like the standard APH-1 Alnico II Pro, this pickup uses an Alnico 2 magnet. However, the Slash model is wound with just enough boosted output to push a stock Les Paul toward the sweet sustain and rude crunch that characterizes Slash's sound as heard on hundreds of tracks. In addition, it comes with some of the same appointments found on the Seymour Duncan pickups in Slash's '86 recording axe, including single-conductor cable, long-legged bottom plate, and wooden spacer. For the true fan, or the player who wants to capture Slash's recorded tone, this pickup is a critical part of the tone chain. This is same pickup found in the newest Gibson® Slash model Les Paul. The Slash aficionado will use a pair of these pickups to capture that unmistakable tone. This pickup matches well with the SFX-11 Twin Tube Blue all-tube overdrive-distortion stompbox for singing leads and authoritative chording. While designed for use in a Les Paul, this pickup works well in any well-balanced humbucker-equipped guitar. Also works great with hollow and semi-hollow body guitars.
 57,-
 57,-
 Seymour Duncan SSL5 Custom… High output true single-coil for warm instruments. Perfect for Texas blues rock, classic rock and heavy rock. Though it looks like the SSL-1 and has that distinct vintage tone, the SSL-5's over-wound coil yields higher output, more sustain and great harmonics. The result is a pickup that rocks hard and cuts through the mix, but cleans up nicely when you back off the volume. Includes white cover. Calibrated set available with RW/RP middle pickup. Many players use an SSL-5 in the bridge position with vintage output pickups, like SSL-1's, in the neck and middle for tonal versatility. For heavier and brighter-toned instruments with ash or alder bodies. Works well with maple or rosewood fingerboards.
 163,-
 163,-
 Seymour Duncan STHR1 Hot Ra… High output single-coil-size "rails" humbucker. Great for classic rock, garage, punk, heavy rock, thrash, classic metal and nu-metal. Delivers a fat, full sound with incredible output. The powerful ceramic magnet, two steel blades and over-wound coils all combine to provide a heavy, raw, distorted tone with incredible sustain. Compared to the Little '59, Hot Rails has more output and a chunkier mid-range. Comes in black only with four-conductor cable. Now available in a new neck version as well as a bridge version. Matches well with a hot distortion pedal like the SFX-04 Twin Tube Mayhem or the SFX-08 Power Grid. For all well-balanced instruments. Works equally well with maple and rosewood fingerboards.
 99,-
 99,-
 Seymour Duncan SHR1B Hot Ra… High output single-coil-size "rails" humbucker. Great for classic rock, garage, punk, heavy rock, thrash, classic metal and nu-metal. One of the highest output and most popular pickups we make. The two thin blades, strong ceramic magnet and powerful coil windings give you the incredible sustain and a fat, full sound that's needed for playing heavier rock music. This pickup responds to the subtlest finger movements. Comes with four-conductor hookup cable. Available for both bridge and neck/middle positions. For an incredibly versatile guitar, use an SHR-1b in the bridge position along with an SVR-1n Vintage Rails in the middle and an SCR-1n Cool Rails in the neck. For all well-balanced instruments. Works equally well with maple and rosewood fingerboards. Bridge position.
 113,-
 113,-
 Seymour Duncan STL1 Vintage… Put a little tradition and a lot of twang in your country, blues, surf, pop, or rockabilly with these vintage-correct reproductions of Fender Broadcaster® pickups, designed to directly replace Telecaster® pickups. Introduced by Leo Fender at the tail end of the 1940s, the two-pickup Broadcaster was eventually renamed the Telecaster. However, compared to mid '50s Telecasters, the original Broadcaster lead pickup had larger .197" pieces in a flat orientation for a nicely nasal twang, a bit of midrange snarl, ample sustain, and a bit more output. The Seymour Duncan STL-1b bridge pickup perfectly duplicates the Broadcaster lead pickup, from materials to production technique, producing that sought-after vintage twang ideal for traditional country and chicken-pickin' styles. The STR-1 rhythm pickup complements the twang with a smooth and open tone, warm lower-mids, and airy highs. The rhythm pickup comes with a chrome-plated brass cover. Both pickups are equipped with vintage-correct, waxed cloth hookup cables.
 19,-
 19,-
 Seymour Duncan YJM500 High-… When Yngwie Malmsteen turned to Seymour Duncan to improve and refine his pickups— the YJM Fury™Signature Model for Strat®—it made sense to refine another important part of his playing volume potentiometer. With his highly refined technique and exacting attention to sound, Yngwie employs the volume pot to take complete control of his phrasing dynamics. He uses his pinkie finger to flip the volume on and off for dramatic, lightning-fast starts and stops. That's why Yngwie's YJM High-Speed Volume Potentiometer contains a minimal-viscosity lubricant for fast-action potentiometer turns. At its core, the YJM High-Speed Volume Pot is a high-quality 250k. or 500k. Bourns® potentiometer customized for Yngwie.s playing needs. The split-shaft design of the post can accommodate a variety of knobs.
 198,-
 198,-
 Seymour Duncan AHB10s Black… Get the extreme gain of active pickups—with any pickup. Just swap your volume pot with a Blackouts™ Modular Preamp. It combines the high-output, low-noise Blackouts™ preamp with a quality volume pot and our Liberator Solderless Pickup Change System for quick connections. Get your own sound—with your own look. The genre-defining crunch and wail of modern heavy rock guitar often comes from active guitar pickups, which have a built-in, battery-powered preamp epoxy-sealed into a stark black casing. It's a distinctly modern sound married to a patently modern look. Now, for the first time, you can make any pickup an active pickup, even pickups with a more traditional look. Seymour Duncan has taken its award-winning, low-noise Blackouts™ balanced differential preamp out of the pickup and integrated it with a high-quality volume pot. Blackouts™ Modular Preamp is an ingenious way to get that high-gain, active guitar sound with any passive four-conductor pickup. Simply by swapping a volume pot for a Blackouts Modular Preamp volume pot, you can get active pickup performance with a more classic look. Modular Coil Pack/Preamp Set.
 198,-
 198,-
 Seymour Duncan SSL1 Calibra… Seymour Duncan's most popular single-coil for Strat. The hand-ground Alnico 5 magnets and moderate windings (Heavy Formvar wire) yield a bright and punchy tone with vintage output. Perfect for players who need accurate traditional single-coil tone, especially with c lean and mildly distorted amp settings. Compared to the APS-1, the SSL-1 has a more focused "bell" tone with a tighter bass response. Comes with waxed cloth hookup cable and vintage-style "keyed" bottom plate. Application: Vintage-correct true single-coil for warm instruments. Recommended for country, pop, surf, rockabilly, blues, ska and classic rock. Guitars: For warmer toned ash, alder or basswood body instruments. Works especially well with rosewood fingerboards. Winding and polarity: Reverse wound, reverse polarity (RW/RP) middle pickups for hum canceling in positions "2" and "4" on the five-way switch.
 138,-
 138,-
 Seymour Duncan SH1 59 Vinta… Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock. Late-'50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the '59 has slightly more scooped mids and is vacuum wax potted for squeal-free performance. Available in both neck and bridge models. Often a '59 neck is used together with a hotter bridge pickup like the SH-4 JB or SH-13 Dimebucker for extra versatility. For balanced and warm instruments. Works especially well with mahogany bodies and rosewood fingerboards.
 77,-
 77,-
 Seymour Duncan SJ53 Neck High-output true single-coil Quarterpounder neck pickup with exposed poles. Recommended for blues, classic rock, garage, heavy rock and nu-metal. Delivers amazing output and super strong attack. The quarter-inch alnico pole piece magnets together with over-wound coil provide full response with great control. Includes logo cover. This pickup is a direct retrofit for Fender® Jazz V and many other popular 5-string basses. Will accommodate string spacings up to 3.10" (78.7mm) for bridge pickup and 3.00" (76.2mm) for neck pickup.
 77,-
 77,-
 Seymour Duncan SJ53 Bridge High-output true single-coil Quarterpounder bridge pickup with exposed poles. Recommended for blues, classic rock, garage, heavy rock and nu-metal. Delivers amazing output and super strong attack. The quarter-inch alnico pole piece magnets together with over-wound coil provide full response with great control. Includes logo cover. This pickup is a direct retrofit for Fender® Jazz V and many other popular 5-string basses. Will accommodate string spacings up to 3.10" (78.7mm) for bridge pickup and 3.00" (76.2mm) for neck pickup.
 64,-
 64,-
 Seymour Duncan SJB1 Vintage… Vintage-correct true single-coil bridge pickup. Perfect for country, pop, blues, and classic rock. The hand-ground Alnico 5 magnets and moderate windings bring out the warmth and fullness of the instrument while maintaining clarity and definition. Comes with waxed cloth hookup cable and non-logo cover. Comes in any color you want. As long as it's black.
 58,-
 58,-
 Seymour Duncan SJB3 Quarter… High output true single-coil bridge pickup. Recommended for blues, classic rock, garage, heavy rock, classic metal and nu-metal. Developed for the bassist who needs the slammin' output of the Hot but with even stronger attack. The quarter-inch pole pieces and intense windings deliver a full response with great sustain. Includes logo cover.
 68,-
 68,-
 Seymour Duncan SPB3 Quarter… Replacement Quarterpound pickups for Precision Bass. High output, versatile pickup. Recommended for blues, classic rock, punk, heavy rock, classic metal and nu-metal. The quarter-inch diameter pole pieces expand the magnetic field and extend the frequency ranges for fat, full, punchy sound with tremendous mid-range presence and maximum output. Though often used for heavy rock tones, this pickup gives amazing tonal versatility to a single pickup instrument making this the most popular Basslines pickup. Includes logo covers. For warmer toned ash, alder or basswood body instruments.
 94,-
 94,-
 Seymour Duncan SH1N Neck Bl… Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock. Late-'50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the '59 has slightly more scooped mids and is vacuum wax potted for squeal-free performance. For balanced and warm instruments. This '59 model neck pickup with single conductor cable works especially well with mahogany bodies and rosewood fingerboards.
 88,-
 88,-
 Seymour Duncan SH1N4 Neck B… Versatile P.A.F.-type humbucker. Great for country, jazz, blues, funk, classic rock and heavy rock. Late-'50s, vintage-correct, humbucker sound. Warm and crystalline clean tones. Full and bright distorted tones. Smooth sustain. Classic appointments include plain enamel wire, long legged bottom plate, vintage single conductor cable and no logo. Compared to the SH-55 Seth Lover, the '59 has slightly more scooped mids and is vacuum wax potted for squeal-free performance. For balanced and warm instruments. Works especially well with mahogany bodies and rosewood fingerboards. '59 Model neck pickup with 4-Conductor cable.
 77,-
 77,-
 Seymour Duncan SH2N Jazz Mo… Classic moderate output humbucker. Especially popular in neck position. Don't let the name fool you; it's not only great for jazz, but also country, blues, funk, classic rock and heavy rock. Provides an articulate and clear tone. Great for fast runs. The brighter tone has slightly less output and is a good match with most bridge pickups. When distorted, the tone is full and bright. Smooth sustain. Compared to the SH-1 '59 Model, the Jazz has slightly less output and a more detailed treble response. Comes with four-conductor hookup cable. For balanced and warm instruments. Works especially well with mahogany bodies and rosewood fingerboards. Also works great with hollow and semi-hollow body guitars.
 105,-
 105,-
 Seymour Duncan SH8B Invader… Ultra high output humbucker built for aggressive playing styles. Recommended for punk, garage, thrash, metal and other heavy rock styles. Designed for the heaviest tones a passive pickup can produce. The combination of three ceramic magnets, over-wound coils and twelve black oxide cap screws make the Invader an electrifying force of energy. The wide magnetic field pumps power into your amp with a totally heavy sound. Comes with four-conductor hookup cable.
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